Tony Leung Strengthens Film’s Future Amid AI Disruption at Shanghai International Film Festival
As the Shanghai International Film Festival (SIFF) approached its conclusion, Tony Leung Chiu-wai found himself at the center of significant industry discussions. Serving as the jury head for the prestigious Golden Goblet competition, he faced crucial decisions regarding the films presented. Additionally, he was scheduled to lead a masterclass aimed at inspiring a new generation of filmmakers.
Throughout the festival, conversations swirled around pressing issues affecting the film industry, particularly the rise of artificial intelligence (AI) and declining global box-office revenues. Leung, a veteran actor with a career spanning over four decades, engaged thoughtfully with these topics, demonstrating his commitment to the future of cinema.
Embracing the Challenges of AI
Leung expressed his views on AI’s dual nature, describing it as a “double-edged sword.” He acknowledged that while AI can streamline pre-production and post-production processes, making filmmaking more cost-effective, it poses risks to job security within the industry. He remarked that the reliance on AI could lead to a lack of creativity, reducing filmmaking to mere calculations devoid of artistic soul.
The actor emphasized that the industry must navigate these challenges while also finding ways to engage younger audiences. He noted that for many in the current generation, film is just one of many entertainment options, unlike in his youth when cinemas were ubiquitous in Hong Kong.
The Importance of Theatrical Experience
Reflecting on his childhood, Leung shared his belief in the value of theatrical experiences. He recalled the joy of watching films on large screens, asserting that such experiences are essential for fully appreciating the nuances of cinema. He expressed concern that the rise of smaller devices for viewing content could diminish this appreciation.
Leung has largely resisted the trend of consuming films on smaller screens, stating that he does not even watch movies at home. Instead, he viewed his masterclass as an opportunity to educate young audiences in Shanghai about the diverse range of films available, particularly arthouse cinema. His latest feature, Silent Friend, directed by Hungarian filmmaker Ildikó Enyedi, was set to screen before the masterclass, further highlighting his commitment to promoting varied cinematic experiences.
Engaging the Next Generation
Leung stressed the need to educate younger audiences on enjoying different types of films. He pointed out that not all movies provide clear answers, encouraging viewers to engage with films on a deeper level. He predicted that smaller-scale productions would increasingly dominate the market due to various challenges, including the popularity of short-form videos and streaming services.
He noted that many young people have never experienced a theatrical release, emphasizing the importance of inviting them back to cinemas. Leung’s insights reflect a broader concern within the industry about how to attract new audiences in an evolving entertainment landscape.
Jury Experience at SIFF
During the festival, Leung led a jury comprising directors Guan Hu, Aktan Arym Kubat, Déa Kulumbegashvili, and Fernanda Valadez, along with producer Dora Bouchoucha and actress Xin Zhilei. Together, they evaluated 12 films from 15 different countries and territories. Leung described the experience as enriching, highlighting the subjective nature of film appreciation and the diverse perspectives within the jury.
He noted that the discussions were not only enjoyable but also provided valuable learning opportunities. The jurors agreed that films should surprise audiences and resonate with them in unique ways.
A Diverse Career Path
Leung’s career trajectory has taken him from Hong Kong’s TVB channel to international acclaim, featuring in action classics like Infernal Affairs and collaborating with renowned director Wong Kar-wai on films such as Happy Together and In the Mood for Love. His recent foray into European arthouse cinema with Enyedi has invigorated his artistic journey.
Describing his experience working on a film centered around a ginkgo tree, Leung characterized the process as chaotic yet harmonious. He relished the opportunity to work with a small crew, likening it to a dance where spontaneity and creativity flourished.
Future Projects
Looking ahead, Leung has several projects in the pipeline, including a collaboration with fellow Hong Kong filmmaker Johnnie To and a return to a Hong Kong series for a streaming platform. He also hinted at the possibility of reuniting with Wong, though he emphasized that his choice of projects is driven by a connection to the director rather than specific genres or stories.
Leung’s approach to filmmaking is rooted in a desire for genuine collaboration. He stated that he prioritizes the director’s vision and emotional connection over rigid planning, acknowledging that the unpredictability of life often shapes artistic endeavors.
As reported by www.hollywoodreporter.com.
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Published on 2026-06-21 04:51:00 • By FAME Delivered News Desk