Weirder Score for Netflix’s ‘Beef’ Season 2 Positions Him for Emmy Recognition

The second season of Netflix’s acclaimed comedy-drama Beef features a striking score that has quickly become a focal point of the series. The music, composed by Finneas, plays a crucial role in shaping the show’s atmosphere and narrative.

A Dominant Musical Presence

From the very first moments of episode one, viewers are greeted by an overwhelming musical backdrop that sets the tone for the series. This auditory experience continues for the first ten minutes, establishing a rhythm that intertwines with the show’s visuals and dialogue.

Finneas, the mononymous singer-songwriter behind the score, noted that he realized the extent of the music’s presence during the mixing stage for episode one. He remarked on the prominence of the score, emphasizing that it often serves as a character in its own right rather than merely a background element.

A Multifaceted Soundtrack

The score comprises a variety of tracks, each contributing to the emotional landscape of the series. The ten-minute piece titled “Cold Open” transitions between serene moments and an underlying tension, while “Music for Hospitals” evokes a more sinister atmosphere. Another track, “Vicious Thoughts,” stands out for its beauty and unexpectedness.

The soundtrack features 32 songs, totaling an hour and a half of music, with Finneas indicating that much more was left on the cutting room floor. Describing the score as both tense and whimsical, he acknowledged its unique character, which at times feels suited for a tech news podcast.

Originality and Nostalgia

Finneas expressed his belief in the originality of Beef, attributing this quality to its creator, Lee Sung Jin. He noted that while personal opinions on the music may vary, the uniqueness of the score is an objective measure. The references within the score draw heavily from 2010s millennial nostalgia, particularly reflected in the character of Josh Martin, played by Oscar Isaac. Martin, a general manager at a California country club, is portrayed as a mediocre synth player and a fan of the English pop band Hot Chip.

Finneas crafted the score to seamlessly integrate with tracks from bands like Yeah Yeah Yeahs and Father John Misty, enhancing the show’s nostalgic feel.

A Shift in Musical Direction

While revisiting the first season for musical inspiration, Finneas aimed to give the second season a distinct flavor. Unlike the previous storyline, the new season introduces a unique conflict involving Isaac and Carey Mulligan as a couple facing marital issues, which are further complicated by a younger couple portrayed by Charles Melton and Cailee Spaeny.

Finneas has previously composed scores for films like The Fallout, Vengeance, and Disclaimer, but he considers Beef his most significant television project to date. He likened the process of composing to adjusting to the temperature of a jacuzzi, initially feeling overwhelmed but eventually finding comfort and clarity as he progressed through the episodes.

Front-Facing Contributions

In addition to his scoring work, Finneas has a more visible role in the series. His Oscar-winning track “What Was I Made For,” co-written with his sister Billie Eilish for the Barbie soundtrack, is featured in episode two, playing from the speakers of Melton’s character, Austin, as he relaxes at home.

Finneas found humor in the juxtaposition of the song’s melancholic tone with the character’s laid-back demeanor, highlighting the irony of the situation.

A Cameo and Personal Reflection

Finneas also makes a cameo appearance in episode seven, portraying a less-than-flattering version of himself. He expressed enjoyment in playing a character that contrasts with his public persona, stating that he prefers to portray a flawed version of himself rather than an idealized one.

Reflecting on his experience scoring Beef, Finneas emphasized the importance of understanding the momentum within scenes. He conveyed confidence in his ability to compose for future episodes, noting that familiarity with the characters and story would streamline his creative process.

As reported by www.hollywoodreporter.com.

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Published on 2026-05-31 21:00:00 • By FAME Delivered News Desk