Nader Saeivar Reflects on ‘Hijamat’ Premiere at KVIFF Amid Jafar Panahi’s Absence
The world premiere of the family drama Hijamat is set to take place at the Karlovy Vary International Film Festival (KVIFF) on July 8, 2026. This event holds special significance for Iranian writer and director Nader Saeivar, as it marks a bittersweet milestone in his career. The film, produced and edited by his long-time friend and collaborator Jafar Panahi, showcases the complexities of familial bonds and societal expectations. While Saeivar will be present at the festival, Panahi, who co-wrote the Cannes 2025 Palme d’Or winner It Was Just An Accident with Saeivar, will be unable to attend due to ongoing legal issues in Iran.
Saeivar’s Journey and the Making of Hijamat
Saeivar left Iran for Berlin during the production of Accident, making Hijamat his first feature film completed entirely outside of his home country. The film explores the struggles of Murad, portrayed by Kida Khodr Ramadan, as he attempts to protect his younger brother Kerem, played by Jael Cem Ilhan, upon discovering that Kerem is gay. The narrative delves into long-buried family secrets that threaten to unravel their deeply religious Muslim family life in Berlin. The cast also includes Nicolette Krebitz, Aziz Capkurt, Moritz Bleibtreu, and Nastassja Kinski.
The title Hijamat refers to an ancient therapeutic practice known as wet cupping, aimed at drawing out small amounts of blood from the body for pain relief and detoxification.
The Impact of Panahi’s Absence
While KVIFF had hoped to welcome Panahi as part of the film’s delegation, he has returned to Iran following the Oscar campaign for Accident. Recent developments have seen Iranian authorities confiscate his passport, and he faces potential imprisonment due to a verdict for “propaganda against the regime.” Saeivar expressed disappointment over Panahi’s absence but emphasized their ongoing communication, stating that they speak daily for at least an hour. Panahi is reportedly preoccupied with legal matters, which limits his ability to focus on new projects.
Themes of Hijamat and Personal Reflections
Saeivar articulated that the core theme of Hijamat revolves around the necessity of confronting personal and societal issues. He believes that individuals must address the metaphorical walls they build around themselves to effect change. He likened these barriers to “dirty blood” that must be expelled for true transformation to occur. This film marks a departure from Saeivar’s previous works, which focused on social issues, as he now delves into the roots of these problems, reflecting his own personal journey.
His relocation to Berlin has prompted a profound reevaluation of his beliefs. Saeivar noted that after spending 50 years in Iran, he experienced a sudden epiphany that dismantled many rigid beliefs he had held. He described the experience as liberating, allowing him to redirect his energy toward more constructive pursuits.
Universal Themes and Cultural Context
Although Hijamat is set within the Turkish community in Berlin, Saeivar emphasized that its themes resonate universally. He explained that the film uses the microcosm of a small community to address broader issues of rigid beliefs that people construct around themselves. He pointed out that while Eastern individuals often grapple with the weight of religious constraints, Western individuals may be burdened by nostalgic memories of a glorified past. Saeivar believes that true freedom can only be achieved by shedding these burdens.
The film visually represents this concept, featuring scenes where Murad is taken to a cellar, symbolizing a deep introspection and self-examination.
Casting Choices and Collaborative Spirit
Saeivar chose Ramadan for the lead role due to his prominence within the Arab and Turkish communities in Berlin. He likened Ramadan to a “mayor,” suggesting that his involvement would facilitate deeper connections with the audience. Saeivar expressed admiration for Ramadan’s talent, comparing him to renowned French actor Jean Reno. Panahi, upon witnessing Ramadan’s performance during editing, praised Saeivar’s casting choice, expressing his astonishment at the actor’s capabilities.
Continuing the Legacy of Collaboration
Despite the challenges posed by Panahi’s legal situation, the bond between Saeivar and Panahi remains strong. Saeivar recounted that Panahi was among the first to congratulate him when he and his colleagues from It Was Just An Accident were accepted into the Academy. Saeivar emphasized that Panahi is the first person he consults whenever he has a new idea, underscoring their enduring partnership.
As reported by www.hollywoodreporter.com, the premiere of Hijamat is not just a celebration of cinematic achievement but also a poignant reminder of the challenges faced by artists in oppressive environments.
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Published on 2026-07-04 10:00:00 • By FAME Delivered News Desk